Glass was hardly known in China until European Jesuits introduced its manufacture into the palace. Chinese glass was largely used to imitate more precious materials such as white jade, lapis lazuli and other valuable minerals. One surprisingly common item is snuff bottles that was made in huge numbers as Imperial gifts. However, it is clear that glass, which had hardly been used in China before the Qianlong era, was particularly popular. The Qianlong emperor appointed two Jesuits to run the imperial glass workshop in the Yuanming yuan and they were soon sending home to Europe for chemicals to colour glass in new ways and and supervising the enamelling of Western scenes on the tiny bottles. Working with records of the Workshops of the Imperial Palace Zaobanchu , Yang was able to chart the course of Imperial glassmaking from the Yongzheng reign to the end of the Xuantong period. However, since records for the Kangxi era were lacking, little was known about the Imperial glass workshop the emperor had established in Fortunately, historical documents in the archives in Rome and the Vatican contained more specific information regarding the founding of the glassworks. This proved to be in accordance with two eighteenth century Chinese texts which state that the entire complex was located on the east side of a street named Canchikou.
Glass Bottle Marks – 4
Three opalescent glass fishes made by Sabino, France in the ‘s. Bowey What is Opalescent Glass? There are three kinds of glass which are called “Opalescent”. One is the blue-tinged semi-opaque or clear glass with milky opalescence in its centre, typical of Lalique, Sabino, and Jobling’s. The three tiny fishes above show this kind of opalescence.
Lundberg Studios is located in the small coastal town of Davenport, California. We began in the backyard hot shop of our late founder, James Lundberg, in Master craftsman individually create an exquisite array of vases, scent bottles, paperweights, lighting and custom commissions.
Fenton’s “Satin Glass” made in the ‘s. Frank Habicht and Angela Bowey Frank L Fenton and his brother John decided to open their own glassworks in , based on Frank’s seven years’ experience working for other glassworks. They started with a glass decorating shop in Martins Ferry, Ohio, and a year later moved to Williamstown, West Virginia where they built their own glassworks. Their first production from this works appeared in January, and later that same year they exhibited carnival glass which they called Iridill at a trade show.
This was an instant success, and for the next fifteen years the Fenton company made carnival glass as one of its main products. Although the shape and surface patterns of Fenton glass is usually produced by pressing the glass into a mold, it was hand-pressed and hand finished, and the Fenton company has always aimed for good quality hand made glass. The bon-bon dish below left in marigold carnival glass is known as Lotus and Grape, and was shown in catalogues around When the glass was removed from the mold it was shaped with hand tools to produce the final product.
Vases were swung to give them length, bowls were given crimped edges, or pulled up, turned over, or just made wavy.
manufacturers’ labels & marks (A to C)
A Kralik glass vase with applied decoration, and an iridescent Bohemian ‘Creta’ green vase, circa: Two Bohemian glass ‘Oil spot’ style vases, circa: A Bohemian green glass ‘Oil spot’ bowl, early 20th century, a low conical bowl with a dimpled body and a waisted gathered style rim, with iridescent oil spots in pink, gold and aqua colours, with a polished pontil, height
Dating Royal Copenhagen figurines, porcelain & plates, Flora Danica by the thre wavy blue lines and hallmark Royal Copenhagen Denmark, factory stamps.
Home Bristol Glass Bristol, like Battersea is one of those magic words to the collector. Everyone wants his opaque glass to be Bristol, and every dealer thus puts the Bristol tag on certain type of opaque white and colored glass, knowing full well that it probably came from Germany, France, or Bohemia or at best Birmingham or Stourbridge and not Bristol.
However, much of this glass is decorative and attractive even if it isn’t Bristol, but in order to avoid paying Bristol prices for less valuable wares it is well to be able to distinguish the difference between the various types. Opaque white glass was common to every European country. It was made as early as in Venice, in Orleans, France, in , and continued being made down into the 19th century. Collectors have been interested in it from the time of Lady Charlotte Schreiber, whose collection is now in Victoria and Albert Museum, down to the present day.
This glass is decorated with enamel or oil painting and often with transfer designs. A collector may run the gamut from the rare and expensive Bristol glass vases to the decorative mugs of Bohemia, the quaint “Remember Me” mugs of the 19th century from Yarmouth or Sunderland, or the fluted Victorian vases from Stourbridge or Birmingham. Fine old opaque white glass was made at Bristol as early as , but their finest glass was made between and There were fifteen glasshouses at that time.
Inside the Archives: Daum Glass
Orrefors Graal The Orrefors Graal Glass went through several stages of development to get to the Graal technique that we are used to today. Basically, the first Graal pieces were developed at Orrefors in , and the same technique was used until At the beginning of the s, Edvard Hald and Vicke Lindstrand experimented with the Graal technique and came up with the “new” Graal method, which basically meant that the layer of clear glass that is applied is thicker.
In , the technique got its own numbering system. Edvard Hald developed this technique further with Heinz Richter to form the Aquagraal technique.
Art Nouveau and Art Deco Glass Specialists We specialise in a wide range of Galle cameo vases and bowls, dating from up to about and covering the classic botanicals, landscapes and aquatics. Please use the menu at the top left to access our three Emile Galle Cameo pages.
The move was prompted by strikes and a costly fuel problem in the east. Northwest Ohio had an abundant supply of natural gas and the Toledo area was ideal for industrial growth. The first glass was made from the new furnaces in August of The Company changed its name to Libbey Glass Company in The first trademark was the spread wing eagle, usually in red, encircled with the lettering “Libbey Cut Glass Toledo, Ohio.
Signed pieces with this signature are quite scarce. Most of the cut glass produced during this period was the standard strawberry diamond, hobstar, and fan motifs. Photo 1 Photo 1: Typical cut glass covered butter dish of this period. Two other expositions in San Francisco and Atlanta also honored Libbey for its glass.
Bohemian Glass Vases
Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase. Oftentimes, Satsuma markings will have gold Japanese characters on a red background with a gold outline surrounding the red background; the entire marking may be in a square or rectangular shape.
If the marking is rectangular in shape with a separate circular crest above the rectangle, the marking may indicate Gyokuzan, in which case the vase likely dates from to — the Meiji period.
Kolo Moser was an Austrian glass designer who worked for Loetz, Kralik and Egermann. His monogram, below, appears on some designs he made for Loetz, as well .
Fenton labels of various kinds were applied to glassware prior to To see a complete list of Fenton labels, Logos used for Fenton seconds are shown at the bottom of the page. This is the logo you will likely see on glassware from Fenton retailers. This logo will be used through Glass moulds used at Fenton. An “8” to denate the s or a “9” to denote the s may also appear.
The “0” is used from Added to the 90th Anniversary Historic Collection. In , a small “8” was added to moulds to denote the decade of the eighties.
Bohemian Art Glass
For more information about paperweights by unknown makers, see my Unknown Makers Paperweights Web Page. Click on the picture to see a larger image. It consists of two large velvet purple petals above over three lower petals. The lower petals are amber yellow over a white base which can be seen from the back. Each lower petal has a purple tip and three dark lines radiating from the central cane consisting of star canes with a red whorl center.
offers bling bling glass vases products. About 55% of these are glass & crystal vases, 9% are rhinestones, and 9% are event & party supplies. A wide variety of bling bling glass vases options are available to you, such as glass, crystal, and metal.
As well as our web shop we also show at many specialist antique fairs. Click on this link to find out Where to Find Us. To see wonderful art glass by all the other great glass makers please go to our other websites www. Please remember to add these websites to your favourites too! New this Week Week beginning 19th November Recently we have added many new items to all our websites. There are nearly pictured items for sale on this website and it’s partner sites www.
Information For New Customers All our items are original, i. We do not sell any reproductions or fakes. Unless otherwise stated all our pieces are perfect, without visible chips, cracks or other defects. All our items are between 70 and years old so there are usually wear marks and minor scratches. We are happy to provide any prospective buyers with further photos and detailed description reports if required.
Antique Shops in Staffordshire & Shropshire
You can find antique glass vases in the following online stores. Just Glass Just Glass is an online antique mall for vintage glass. The large variety of shops represented carry everything from crackle glass to crystal. Aardvark Antiques Aardvark Antiques carries a variety of estate items and has a large number of antique glass vases. Oriental Vases If your tastes run on the expensive side, there are always beautiful Oriental vases, including those from the Ming, Qing and Song Dynasties.
Milk glass pieces dating from the mid s through the beginning of the s are highly sought after by collectors and are generally considered the most valuable, as are the pieces made during the second World War. However, all milk glass made during the early to .
How to date Kosta Boda glass – date codes, series and designer signatures. Dating Kosta Glass Art glass pieces by Kosta are usually signed. However, most production glass is not signed, even if the design comes from a renown designer or artist. There was no uniform way of signing different pieces or series. This difference with Orrefors in the way items are signed and dated can be explained by the different approaches and types of partnerships that the two glassworks had with their artists.
Whereas Orrefors usually had a long relationship with their artists and designers, Kosta frequently invited artists to work with them only for a short time. Notable exception is Elis Berg, who worked for Kosta from to When Lindstrand started to work with Kosta, he implemented a more or less uniform way of signing and dating all pieces of work, much like it was the practice at Orrefors.
The information about signatures and date codes for Kosta Boda glass is sketchy to say the least, since even the company archives only have scant information on this subject. This obviously makes decoding Kosta Boda glass even more trickier. This page tries to give an overview of all date codes, series codes and signatures that should allow dating most of Kosta Boda’s glass.